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      Jack Muguna: Journey of the Soul

      April 20, 2021

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      Geco Café: Slithering with good vibes in Nairobi

      February 18, 2021

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      How to work with producers in Kenya by…

      February 26, 2020

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      The Love Zone Thrills fans on Valentine’s Day

      February 21, 2020

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      Shamsi Music Sophmore Album: Afrosynthesis

      February 6, 2020

  • Events
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      Nairobi Music Society and Nairobi Orchestra Love; Liberty…

      May 4, 2022

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      Beneath the Baobabs Live: A Kenyan live music…

      April 5, 2022

      Events

      Down memory lane: An Evening Remembering Whitney Houston

      December 2, 2021

      Events

      Nairobi Orchestra Returns! at Kenya National Theatre

      July 2, 2021

      Events

      An Evening Celebrating Stevie Wonder in Nairobi

      June 10, 2021

  • Artist Spotlight
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      Ngewa: Kasiva Mutua rhythmical tales on percussion

      April 26, 2022

      Artist Spotlight

      Herbie Tsoaeli Spiritual Dialogues: At This Point in…

      December 10, 2021

      Artist Spotlight

      Sage Chemutai: Love is all we need

      April 26, 2021

      Artist Spotlight

      Jack Muguna: Journey of the Soul

      April 20, 2021

      Artist Spotlight

      WYNTON MARSALIS interactive session with Kenyan artists: Mythology…

      November 26, 2020

  • Classical Music
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      Nairobi Music Society and Nairobi Orchestra Love; Liberty…

      May 4, 2022

      Classical Music

      Nairobi Orchestra Returns! at Kenya National Theatre

      July 2, 2021

      Classical Music

      A Kenyan Opera: Nyanga The Runaway Grandmother

      November 17, 2020

      Classical Music

      Beethoven 250 Years on, A Spirited awakening in…

      September 25, 2020

      Classical Music

      David Ralak: A visionary pioneering figure with great…

      June 16, 2020

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    • All Jazz Opinions Jazz Spotlight My Afro Jazz
      Artist Spotlight

      Pilani Bubu: Jazz Breaks Me Open. Songs from…

      April 29, 2020

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      CoronaVirus: Kenyan Artists in a time of a…

      March 19, 2020

      Jazz Spotlight

      How to work with producers in Kenya by…

      February 26, 2020

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      Shamsi Music Sophmore Album: Afrosynthesis

      February 6, 2020

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      March 19, 2020

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      July 18, 2019

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      April 9, 2019

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      Jazz in Kenya: A beginner’s guide to artists…

      February 26, 2019

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      Pilani Bubu: Jazz Breaks Me Open. Songs from…

      April 29, 2020

      Jazz Spotlight

      How to work with producers in Kenya by…

      February 26, 2020

      Jazz Spotlight

      Shamsi Music Sophmore Album: Afrosynthesis

      February 6, 2020

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      ALBUM REVIEW: MAIA AND THE BIG SKY

      September 26, 2019

      My Afro Jazz

      Dan Aceda, Juma Tutu to Grace Ricky na…

      November 17, 2015

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      August 31, 2015

      My Afro Jazz

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      August 20, 2015

Jazz Spotlight

Kavutha Mwanzia Asiyo: I am a proud beneficiary of Safaricom Jazz Festival

by Maureen Shelmith February 22, 2018
written by Maureen Shelmith February 22, 2018

Kavutha Mwanzia Asiyo

Jazz in Kenya today reflects the culture of the beautiful people of Kenya. Just like any other medium of communication TV, radio, internet and music in general. Jazz has a huge array of niche, targeted ways of reaching an audience. In Kenya, the Safaricom Jazz festival is a befitting event that brings jazz aficionados together to enjoy the beauty of jazz music.

Kavutha Asiyo during the 2014 safaricom Jazz festival

In conversation, Kavutha Asiyo the music director of the Safaricom Jazz; is a passionate musician, a teacher, a wife, and an admirer of all things jazz. Scatting passages from her music and joking when it makes sense. She’s exuberant about music and what it has done for our culture and people.

Kavutha unbridled love for music enabled her to go to Berkeley Music School where she harnessed her powerful mercurial voice, as heard in one of her collaboration with Jacob ‘One Day’. She got intertwined into the Kenyan music scene and met many musicians and influential people alike.

Fate was to have it, in 2012, Kavutha met Kevin Mulei the CEO of MoSound. Imbued with the kind of work they did at Mo sound, her inner spirit was ignited to revolutionize the musical live scene in Kenya. Kavutha got into talks with Safaricom Limited to collaborate and curate what is now known as Safaricom Jazz Festival.

Celebrating 5 years of the Safaricom International Jazz Festival

Kavutha Asiyo and members of Shamsi Music

Kavutha Asiyo and members of Shamsi Music

The festival, which is in its 5th year will be celebrated in a big way, since its inception in 2014. The festival has had the pleasure of hosting Jazz greats such as Branford Marsalis, Jonathan Butler, David Sanborn, and the late bra Hugh Masekela. Kavutha acknowledges that the festival has been able to scale up many Kenyan acts and add a huge statement to their musical profile and visibility. Kavutha, notes that Kenyan acts such as Nairobi Horns Project, Edward Parseen and Different Faces Band, The Limericks, Shamsi music and herself as a prime example, have enjoyed the benefits of being on such a platform as Safaricom International Jazz Festival.

Without a doubt, safaricom Jazz festival has grown in leaps and bounds and become a notable event for many jazz lovers’ calendars. In her own words, “Safaricom Jazz festival has made ‘Jazz cool’. It has been an exciting feeling seeing many people appreciate jazz and music in general.”

With a bright smile on her face, Kavutha acknowledges that the most impactful message that Safaricom Jazz has been able to pass across over the last 5 year is the power of music. Additionally, the huge growth in the number of musical enthusiasts flocking to enjoy Safaricom Jazz Festival has increased over the years and in turn, the festival donates all funds raised through ticket sales to Ghetto Classics. The festival’s proceed have been able to ensure the children at the Ghetto Classics music education continues by the way of providing musical instruments, music classes, and financial support. In addition to this, The Ghetto Classics have expanded its program beyond Nairobi with a branch at Mombasa started last year and hopes of one in Kisumu.

The festival has been an excellent opportunity for the community to be exposed to the cultural and creative talent of international partners who support the festival by providing jazz greats from their various nations. This has been made possible by the tenacious team at Safaricom, who ensure musicians are well taken care of. Spreading the good gospel about the festival’s hospitality

Kavutha acknowledges that the festival has gotten more application from various musicians globally and it is a good sign that the Safaricom Jazz Festival has made a mark among many jazz festivals globally.

Jacob Asiyo and Kavutha Asiyo -Credits: Daily Nation

The Safaricom International Jazz Festival in a bid to continue with Safaricom’s efforts in supporting the arts and celebrating our diverse cultures. The festival has been able to grow from a one-week international festival in 2013 became a 3 part event in 2014/ 2015 and has now grown to a year-long event with 4 major events through the year. Kavutha hopes in the next 5 years, Safaricom Jazz will open its doors beyond the Kenyan borders and share the love of Jazz music to its sister nations.

 

 

Image Credits: Quaint Photography 🙂

Many thanks to  Elsie Ndonga for making this possible 😉

References: Safaricom Jazz Festival Website

Art of Music FoundationBranford MarsalisEdward ParseenEdward Parseen and different Faces BandGhetto ClassicsJacob AsiyoJazz in KenyaKavutha AsiyoLimericksNairobi Horns ProjectSafaricom International Jazz festivalSafaricom JazzShamsi Music
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About Me

About Me

Maureen Shelmith

My mission here is to take you on a Kenyan musical journey that is exceptional.

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  • Herbie Tsoaeli Spiritual Dialogues: At This Point in Time

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