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Jazz Symphonic

  • Home
  • About
  • Review
    • Review

      Jack Muguna: Journey of the Soul

      April 20, 2021

      Review

      Geco Café: Slithering with good vibes in Nairobi

      February 18, 2021

      Review

      How to work with producers in Kenya by…

      February 26, 2020

      Review

      The Love Zone Thrills fans on Valentine’s Day

      February 21, 2020

      Review

      Shamsi Music Sophmore Album: Afrosynthesis

      February 6, 2020

  • Events
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      Nairobi Music Society and Nairobi Orchestra Love; Liberty…

      May 4, 2022

      Events

      Beneath the Baobabs Live: A Kenyan live music…

      April 5, 2022

      Events

      Down memory lane: An Evening Remembering Whitney Houston

      December 2, 2021

      Events

      Nairobi Orchestra Returns! at Kenya National Theatre

      July 2, 2021

      Events

      An Evening Celebrating Stevie Wonder in Nairobi

      June 10, 2021

  • Artist Spotlight
    • Artist Spotlight

      Ngewa: Kasiva Mutua rhythmical tales on percussion

      April 26, 2022

      Artist Spotlight

      Herbie Tsoaeli Spiritual Dialogues: At This Point in…

      December 10, 2021

      Artist Spotlight

      Sage Chemutai: Love is all we need

      April 26, 2021

      Artist Spotlight

      Jack Muguna: Journey of the Soul

      April 20, 2021

      Artist Spotlight

      WYNTON MARSALIS interactive session with Kenyan artists: Mythology…

      November 26, 2020

  • Classical Music
    • Classical Music

      Nairobi Music Society and Nairobi Orchestra Love; Liberty…

      May 4, 2022

      Classical Music

      Nairobi Orchestra Returns! at Kenya National Theatre

      July 2, 2021

      Classical Music

      A Kenyan Opera: Nyanga The Runaway Grandmother

      November 17, 2020

      Classical Music

      Beethoven 250 Years on, A Spirited awakening in…

      September 25, 2020

      Classical Music

      David Ralak: A visionary pioneering figure with great…

      June 16, 2020

  • Jazz
    • All Jazz Opinions Jazz Spotlight My Afro Jazz
      Artist Spotlight

      Pilani Bubu: Jazz Breaks Me Open. Songs from…

      April 29, 2020

      Jazz Opinions

      CoronaVirus: Kenyan Artists in a time of a…

      March 19, 2020

      Jazz Spotlight

      How to work with producers in Kenya by…

      February 26, 2020

      Jazz Spotlight

      Shamsi Music Sophmore Album: Afrosynthesis

      February 6, 2020

      Jazz Opinions

      CoronaVirus: Kenyan Artists in a time of a…

      March 19, 2020

      Jazz Opinions

      Experience Nairobi Horns Project Debut Album – Black…

      July 18, 2019

      Jazz Opinions

      Artists from the coast revolutionizing Nairobi’s Jazz scene

      April 9, 2019

      Jazz Opinions

      Jazz in Kenya: A beginner’s guide to artists…

      February 26, 2019

      Jazz Spotlight

      Pilani Bubu: Jazz Breaks Me Open. Songs from…

      April 29, 2020

      Jazz Spotlight

      How to work with producers in Kenya by…

      February 26, 2020

      Jazz Spotlight

      Shamsi Music Sophmore Album: Afrosynthesis

      February 6, 2020

      Jazz Spotlight

      ALBUM REVIEW: MAIA AND THE BIG SKY

      September 26, 2019

      My Afro Jazz

      Dan Aceda, Juma Tutu to Grace Ricky na…

      November 17, 2015

      My Afro Jazz

      Eric Wainaina Thrills fans at An Evening of…

      August 31, 2015

      My Afro Jazz

      You can’t Miss An Evening Of Afro Jazz…

      August 20, 2015

Review

Kali za Pwani: Coastal music with flair.

by Maureen Shelmith November 14, 2017
written by Maureen Shelmith November 14, 2017

News spread fast that the legendary King of Bango was going to be in Nairobi for the 3rd edition of Jazz Attitude; a monthly event that celebrates the vibrancy of jazz in Nairobi. Jazz attitude 3 welcomed the legendary curator of Bango, Mzee Ngala. Bango is a sound heavily felt within the coastal regions of Kenya.

This event also doubled as the launch of a collaborative project ‘Kali za Pwani’ which featured performances by several acts from the coastal region and was built around the aesthetic of the legendary Mzee Ngala’s  Bango sound.

However, Mzee Ngala states that he didn’t really invent the Bango sound but it originated from his most popular song ‘nipe Bango’ (translates to ‘give me a coin’), which he used to perform often at bars early in his career. Like a tidal wave the Bango rhythms became a mainstay at festive occasions in the coastal region, especially at weddings.

Mzee Ngala Juma Tutu and James Gogo at Jazz Attitude 3
Credits: Quaint Photography

Coastal musical giants of Jazz; Mzee Ngala, Juma Tutu, James Gogo, and Kombo Chokwe teamed up to this project which bursts with rhythmical exuberance of the region. The album consists of 13 tracks. It is colored by sentimental, patriotic, educational and romantic themes, which use both ironic and direct language to comment on people’s personal lives.  Bango sounds, hip hop, Mijikenda Chants, Bantu rhythms, and Swahili melodies are well layered through the album.

Featured in the album are James and The GogoSimo Band’s music which blends Coastal music, African Tempos with a taste of Western Instrumentation creating a unique East African sound. Without a doubt, songs such as Ngoma, Kibebwe, and sirathii will get you up on your feet dancing along to their upbeat tempo.

Kali za Pwani is heavily polyrhythmic; it is made up of different sounds. Predominately maintaining the rhythm is the drums, xylophone and percussive instruments. Clapping, stomping, singing, and chanting adds another percussive element.  Songs like Mwembe and Kaya, done by Kombo and the Afro Simba band, exudes a heavy Mijikenda sound.

Kombo Chokwe
Credits: Artist Facebook page

Mzee Ngala has an incredible gift of playing rhythmical slow tempos whilst evoking emotion. His most notable track within this album compilation is Shaka. It tells a story of how worry has eaten away his happiness, peace and his love life. “shaka imenitoa imani, furaha na mapenzi ”

It tickled me to hear a live recording of Sukari,  the most popular song by  Juma Tutu and the Swahili Jazz band, which I have often heard performed live.

Kimombasa, another great track, speaks about the way of life at the coastal. It delves into how they pass greetings, show respect to one another and live amicably with each other.

The album ends with on a patriotic note with a titled track Uzalendo performed by James Gogo, Juma Tutu and Nafsi Huru. The songs speaks against the ills of hatred among Kenyan citizens and urges us to love one not just in word but in deeds.

Upendo ndio ukidhiri,

chuki usituadhiri,

nchi ndio inawiri,

ili mambo yaweshwari.

Kali za Pwani is well annotated, and well recorded, this CD is an important addition to the available recordings of the music of the Kenyan coast, and will be of great interest, to new listeners  and seasoned listeners alike for music lovers searching for a coastal sound.

The album is a limited edition copy that is available in hard copy only. To get a copy of the compilation album get in touch with Juma Tutu via Twitter @jumatutu

Mzee Ngala

James Gogo and Gogosimo band

Mzee Ngala Juma and Noah

Mzee Ngala & James Gogo

Edited by: Kuchio J 🙂

Photo Credits: Quaint Photography

Afrosimba bandBango SoundsGogosimo bandJames GogoJuma Tutu and swahili bandKali za pwaniKombo ChokweMzee Ngala
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About Me

About Me

Maureen Shelmith

My mission here is to take you on a Kenyan musical journey that is exceptional.

Featured Posts

  • Herbie Tsoaeli Spiritual Dialogues: At This Point in Time

    December 10, 2021
  • Sage Chemutai: Love is all we need

    April 26, 2021
  • Geco Café: Slithering with good vibes in Nairobi

    February 18, 2021
  • WYNTON MARSALIS interactive session with Kenyan artists: Mythology of Jazz, improvisation and creativity

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  • A Kenyan Opera: Nyanga The Runaway Grandmother

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